In an article soon to be published here, I outline the bizarre final
resting place of the 10th Duke of Hamilton. These next few words give a
brief account of the strange death and final resting place of one of
the most famous entertainers of the 20th Century, The Great Lafayette,
aka Sigmund Neuberger.
Saturday 9 May marks the 98th anniversary
of his death. This sensational stage magician was a friend of Harry
Houdini and started his stage career imitating Ching Ling Fu. He very
soon outshone both to become the highest-paid performer in vaudeville.
An
eccentric man his constant companion was his dog, Beauty, which Houdini
had gifted to him. Pampered with diamond studded collars and other
expensive gifts, Beauty was also part of his stage act and he referred
to her as a magician in her own right.
In 1911 they travelled
to Edinburgh to perform sell out shows at the Empire Theatre.
Tragically Beauty died leaving the Great Lafayette distraught. After
much wrangling he received permission from the City of Edinburgh
Council to have beauty buried within Piershill cemetery in the city.
Complaints from the public included one sharp witted protester who
pointed out that at the cemetery gates a sign read “no dogs allowed”.
Permission was only granted with the proviso that this was Lafayettes
plot and that when the time came he would be interred in the plot.
Unbeknown to himself, he was to meet that end whilst still in Edinburgh
just over a week later.
His performances were legendary. The
‘jewel in the crown’ of his illusions was an elaborate act titled ‘The
Lions Bride’. This required a real Lion, a Horse and a cast of faithful
performers. The secrecy surrounding his illusions was such that he
would have the doors at the back of the stage locked to stop his
competition from discovering how the tricks were performed. This was to
be his downfall.
At the second performance on the evening of 9
May a Chinese lantern accidentally set light to the stage curtains.
Thinking that it was part of the act the audience remained in their
seats. The quick thinking orchestra conductor interrupted the
performance by getting the orchestra to play ‘God Save the King’, which
immediately had everyone on their feet. Seeing the fire continue to
spread and realising that all was not well, the now
panicking crowd managed amazingly to escape without harm. Another fate however befell the cast.
The
Great Lafayette’s last recorded words were, “I must go back for my
horse.” When he was next seen, it was his lifeless, blackened and
charred remains. His features destroyed he was identified by the unique
jewelled ring on his finger. His identity established his body was
sent to Glasgow for cremation. In the days that followed local
newspapers included strange headlines such as ‘the bodies of the
midgets were retrieved from the Empire Theatre today”.
Two days
after the tragedy dumbfounded fire officers discovered the ‘real’ body
of the Great Lafayette. It transpired that the first body had, in
actual fact, been that of his body double that he used in his illusions
(who as a quick aside, lived in a flat that was rented by our very own
Mark Oxbrow, many, many years later).
The funeral procession
set off from the undertakers W.T. Dunbar and Sons in Morrison Street on
14 May 1911 witnessed by a gathering of thousands
along the route to Piershill Cemetery. His popularity and
eccentricity was such that this ‘show’ pulled a bigger crowd than the
Royal visit to Edinburgh a few years earlier. His final performance was
reportedly a spectacular sight to behold. His silver-grey Mercedes
automobile carried his principle mourner, his
Dalmatian hound, Mabel! Standing on the running boards were his two
black servants. The black horse-drawn carriage carrying his ashes
contained in an urn, were taken from the carriage on arrival and
carefully placed within the grave where they now remain, Anubis like,
between the paws of the preserved body of his great love Beauty!
Ian Robertson
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